《Chopin Rachmaninov Sonatas No.2》

此张正式专辑是Helene Grimaud发行专辑的其中之一，是在2005年发行的，她是法国年轻的女钢琴家，她的演奏的非常优美。Helene Grimaud官网发布消息说这位美女钢琴家的下一张专辑《Reflection》中将会与次女高音Anne Sofie von Otter一起合作，Clara Schumann的艺术歌曲有点搅不懂，才第2张个人专辑就把Helene Grimaud打入伴奏的角色。希望大家多多支持和喜欢Helene Grimaud。

《Brahms Pianos Pieces Op》

This album is simply excellent. Helene Grimaud´s interpretation is very intense, and at the same time the pianist seems extremely concentrated on what she is doing, and knows perpectly well what these late-Brahms pieces are about. Even with such a strong personality - which makes her playing quite easily recognisable - she is still faithful to the score.
Highly recommended.
《Artist Portrait Helene Grinaud》

For most of her young career, Helene Grimaud has recorded for Erato, so this disc, Helene Grimaud Artists Portrait, is essentially a précis of her career to date. Of course, almost everything here is a portion of a larger work; there are movements from concertos by Schumann, Beethoven, Gershwin, and Brahms, plus a couple of pieces of late Brahms, with only Beethoven´s Sonata, Op. 110, served complete. But Erato´s portions do paint a very accurate portrait of the artist as a young virtuoso of enormous talent.
She is a young, impetuous virtuoso: Grimaud pushes tempos mercilessly in the Schumann Allegro affetuoso. She is a young, imperious virtuoso: Grimaud forces her extravagant expressivity on Beethoven´s Allegro moderato. She is a young, energetic virtuoso: Grimaud pumps the dynamics in Gershwin´s Allegro agitato. She is a young, excitable virtuoso: Grimaud pulls the form tight and taunt in Brahms´ Rondo Allegro non troppo. But Grimaud is not a reflective artist. Her late Brahms is pretty but meaningless and her Beethoven Op. 110 is well played, but not thought through very well. In her Beethoven Sonata, Grimaud´s phrasing lacks cogency, her themes lack coherency, her structures lack unity, and, ultimately, her performance lacks urgency. Grimaud is a young virtuoso of enormous talent and too little sense of impulse control. Erato´s sound is crisp and clear.

 《Gershwin, Ravel : Piano Concertos》

This is one class act. Helene Grimaud generally prefers the heavy-duty German repertoire and has fought hard not to be typecast as a dainty "French" female pianist. Nevertheless she has expressed a certain affection for selected French and non-Germanic works, which is a good thing for us because this is the best performance of the Gershwin concerto we are ever likely to hear. It has style, warmth, and bravura to spare. In fact, everyone concerned treats it like it´s the greatest piece of music in the world, and the same positives apply to the Ravel.